| Description |
1 online resource (238 pages) : illustrations |
| Series |
Haney Foundation series.
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| Contents |
Introduction: animal studies and the problem of character -- Baiardo's legacy -- The cardinal's parrot -- Ecce feles -- The people's peacock -- "Vulgar sheepe" -- Conclusion: O blazing world |
| Summary |
"In Animal Characters Bruce Thomas Boehrer follows five species--the horse, the parrot, the cat, the turkey, and the sheep--through their appearances in an eclectic mix of texts, from romances and poetry to cookbooks and natural histories. He shows how dramatic changes in animal character types between 1400 and 1700 relate to the emerging economy and culture of the European Renaissance. In early modern European culture, animals not only served humans as sources of labor, companionship, clothing, and food; these nonhuman creatures helped to form an understanding of personhood. Incorporating readings of Shakespeare's plays, Milton's Paradise Lost, Margaret Cavendish's Blazing World, and other works, Boehrer's series of animal character studies illuminates a fascinating period of change in interspecies relationships"--Jacket |
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"Our 2500-Year-Long Fascination with the World's Most Talkative Bird Bruce Thomas Boehrer" ""As both a fiction writer and a lover of parrots, I was delighted and enlightened by Parrot Culture. This is an enchanting book."--Robert Olen Butler, author of A Good Scent from a Strange Mountain" ""Engrossing ... Bruce Thomas Boehrer concentrates his well-stocked mind on what over the centuries we humans have done to, and done with, parrots."--Times Literary Supplement" "During the Renaissance, horses--long considered the privileged, even sentient companions of knights-errant--gradually lost their special place on the field of battle and with it their distinctive status in the world of chivalric heroism. Parrots, once the miraculous, articulate companions of popes and emperors, declined into figures of mindless mimicry. Cats, which were tortured by Catholics in the Middle Ages, were tortured in the Reformation as part of the Protestant attack on Catholicism. And sheep, the model for Agnus Deiimagery, underwent transformations at once legal, material, and spiritual as a result of their changing role in Europe's growing manufacturing and trade economies. While in the Middle Ages, these nonhumans were endowed with privileged social associations, personal agency, even the ability to reason and speak, in the early modern period they lost these qualities at the very same time that a new emphasis on, and understanding of, human character was developing in European literature." |
| Analysis |
"Multi-User" |
| Notes |
OldControl:muse9780812201369 |
| Bibliography |
Includes bibliographical references (pages 209-227) and index |
| Notes |
In English |
|
Print version record |
| Subject |
Animals in art.
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Animals, Mythical, in literature.
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Symbolism in literature.
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European literature -- Renaissance, 1450-1600 -- History and criticism
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English literature -- Early modern, 1500-1700 -- History and criticism
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Characters and characteristics in literature.
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Animals in literature.
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LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh.
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Animals in art
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Animals in literature
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Animals, Mythical, in literature
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Characters and characteristics in literature
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English literature -- Early modern
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European literature -- Renaissance
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Symbolism in literature
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9780812201369 |
|
0812201361 |
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