| Description |
1 online resource (ix, 234 pages :) : illustrations |
| Series |
Refiguring modernism |
|
Refiguring modernism.
|
| Contents |
Everything was connected : kinetic art and internationalism at Signals London, 1964-66 / Isobel Whitelegg -- A porous entity : the Centre for Behavioural Art at Gallery House, 1972-73 / Anthony Hudek -- Mapping the city : Felipe Ehrenberg in London, 1968-71 / Carmen Juliá -- Restoring some period color to Roelof Louw's Pyramid of oranges (1967) / Joy Sleeman -- Collectivity, temporality, and festival culture in John Dugger's Quasi-architecture, 1970-74 / Courtney J. Martin -- Taking the trouble to sound it : mediating conflict in the work of Rita Donagh / Catherine Spencer -- Circulations and cooperations : art, feminism, and film in 1960s and 1970s London / Lucy Reynolds -- Project sigma : an interpersonal logbook / Andrew Wilson -- The artist as a speaker-performer : the London art school in the 1960s-70s / Elena Crippa -- File under COUM : art on trial in Genesis P-Orridge's Mail action / Dominic Johnson |
| Summary |
"Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art"--Provided by publisher |
| Bibliography |
Includes bibliographical references (pages 201-212) and index |
| Notes |
Description based on print version record |
| Subject |
Artists -- Social networks -- England -- London -- History -- 20th century
|
|
Art -- England -- London -- 20th century
|
|
Art
|
|
England -- London
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| Author |
Tobin, Amy, 1989- editor.
|
|
Spencer, Catherine, 1985- editor.
|
|
Applin, Jo, editor.
|
| LC no. |
2017009261 |
| ISBN |
0271081368 |
|
9780271081366 |
|
