| Description |
1 online resource |
| Contents |
From marginal to mainstream: a history of amateur media -- Everyday complexities and contradictions in contemporary amateur media -- The non-ephemeral amateur media and constructions of self -- The politics of ethical representation in amateur media -- Memory and amateur media's visual counter-histories -- Lost and found: amateur media in the archive |
| Summary |
"Amateur Media and Participatory Cultures aims to sketch the boundary line between today's amateur media practice and the cannons of professional media and film practice. Identifying various feasible interpretative frameworks, from historical to anthropological perspectives, it helps develop a critical language able to cope with amateur and new media's rapid technological and interpretative developments. Conscious of the fact that amateur media continue to be seen as the benchmark of visual records of authentic rather than mass-media derived events, Annamaria Motrescu-Mayes and Susan Aasman pay particular attention to the ways in which diverse sets of concepts of amateur media have now merged across global visual narratives and everyday communication protocols. Building on key research questions and content analysis in media and communication studies, they have assessed differences between professional and amateur media productions based on the ways in which the 'originators' of an image have been influenced by, or have challenged their context of production. This proposes that technical skills, degrees of staging and/or censoring visual information, and patterns in media socialization define central differences between professional and amateur media production, distribution and consumption. The book's methodical and interdisciplinary approach provides valuable insights regarding the ways in which visual experiences and memory are currently shaped, stored and re-distributed across new media technologies and visual channels"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Annamaria Motrescu-Mayes is an AffiliatedLecturer in new and digital media at the Department of Social Anthropology, University of Cambridge; Fellow and Tutor at Clare Hall; and a member of the Cambridge Digital Humanities Network and the Centre for the Study of Global Human Movement. She is the author of Visual Histories of South Asia (co-edited with Marcus Banks, 2017) and of British Women Amateur Filmmakers: National Memories and Global Identities (with Heather Norris Nicholson, 2018), and has written extensively on the theme of colonial amateur film practice and imperial studies. Motrescu-Mayes is also the founder of the Amateur Cinema Studies Network. Susan Aasman is Associate Professor at the Media Studies Department and Director of the Centre for Digital Humanities at the University of Groningen. Her field of expertise is in media history, with a particular interest in amateur film and documentaries, digital culture and digital archives, web history and digital history. She was a senior researcher in the research project 'Changing Platforms of Ritualised Memory Practices: The Cultural Dynamics of Home Movie Making' (2012-2016). Together with Andreas Fickers and Jo Wachelder, Susan has co-edited Materializing Memories: Dispositifs, Generations, Amateurs (2018) |
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Online resource; title from digital title page (viewed on February 25, 2019) |
| Subject |
Amateur films -- Social aspects
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Video recordings -- Social aspects
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Digital media -- Social aspects
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BUSINESS & ECONOMICS -- Industries -- Media & Communications.
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TECHNOLOGY & ENGINEERING -- Telecommunications.
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SOCIAL SCIENCE -- Media Studies.
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Digital media -- Social aspects
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Video recordings -- Social aspects
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| Form |
Electronic book
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| Author |
Aasman, Susan, author.
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| LC no. |
2018047758 |
| ISBN |
9781315396149 |
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1315396149 |
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9781315396132 |
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1315396130 |
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9781315396118 |
|
1315396114 |
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9781315396125 |
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1315396122 |
|
