| Description |
1 online resource (unpaged) : illustrations |
| Contents |
Part I. Interdisciplinary Introduction. Definitions ; Approaches ; Rudiments -- II. Extra-Musical Foundations. Metaphysics ; Auditory Scene Analysis ; Auditory Sensitivity -- III. Musical Foundations. Matthew Shirlaw ; Hugo Riemann ; Diverse Epistemologies ; Scales and Intervals ; Chant and the Leading Tone ; Notation, Accidentals, and Enharmonics -- IV. Perception of Sonority. Pitch ; Consonance and Dissonance ; The Root of a Chord ; Spectral Pitch in Chords ; Jazz Harmony -- V. Perception of Progression. Pitch Commonality ; Tonality ; Progression and Modulation ; Structural Cognition -- VI. The Big Picture. Theoretic Evaluation ; Universals and Diversity |
| Summary |
"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition"-- Provided by publisher |
| Analysis |
MUSIC / History & Criticism |
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PSYCHOLOGY / Cognitive Neuroscience & Cognitive Neuropsychology |
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SCIENCE / Acoustics & Sound |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on February 12, 2024) |
| Subject |
Tonality.
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Psychoacoustics.
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Chords (Music)
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Musical intervals and scales.
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Chords (Music)
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Musical intervals and scales
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Psychoacoustics
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Tonality
|
| Form |
Electronic book
|
| LC no. |
2023007828 |
| ISBN |
9780262377362 |
|
0262377365 |
|
9780262377379 |
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0262377373 |
|
