Introduction: playing at authorship -- Rehearsing desire: Eliza Haywood's self-conscious performance -- Forgetting the self: Frances Burney and staged insensibility -- Acting as herself: Elizabeth Inchbald and mediated feelings -- Pedagogical performance: Maria Edgeworth's didactic approach to fiction -- Epilogue -- generic revolutions: Mansfield Park and the "womanly style" of fiction
Summary
This book examines eighteenth-century women writers Haywood, Burney, Inchbald, and Edgeworth, who employed artifice as a means of self-expression through their descriptions of heroines, and through their own authorial choices to work between the eighteenth-century genres that advertise artifice: novels and plays
Bibliography
Includes bibliographical references (pages 141-169) and index