| Description |
1 online resource (xi, 230 pages) |
| Contents |
Samuel Richardson : "fan fiction" and networked authorship -- Frances Burney : obliterations and unending revisions -- Jane Austen : revision as empowerment -- Maria Edgeworth : scientific knowledge, didactic moralism, and her "family jury of critics" -- Conclusion : Laurence Sterne, Matthew Lewis, William Godwin, and revision beyond the eighteenth century |
| Summary |
Revisions form a natural part of the writing process, but is the concept of revision actually an intrinsic part of the formation of the novel genre? Through the recovery and analysis of material from novel manuscripts and post-publication revisions, Hilary Havens identifies a form of 'networked authorship'. By tracing authors' revisions to their novels, the influence of familial and literary circles, reviewers, and authors' own previous writings can be discerned. Havens focuses on the work of Samuel Richardson, Frances Burney, Jane Austen, and Maria Edgeworth to challenge the individualistic view of authorship that arose during the Romantic period, and argues that networked authorship shaped the composition of eighteenth-century novels. Exploring these themes of collaboration and social networks, as well as engaging with the burgeoning trend towards textual recovery, this work is an important contribution in the study of eighteenth-century novels and their manuscript counterparts |
| Notes |
Vendor-supplied metadata |
| Subject |
English fiction -- 18th century -- Criticism, Textual
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Editing -- History -- 18th century
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Authorship.
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Authorship
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authorship.
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Authorship
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Editing
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English fiction
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| Genre/Form |
Criticism, interpretation, etc.
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History
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| Form |
Electronic book
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| ISBN |
9781108663649 |
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1108663648 |
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1108660894 |
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9781108660891 |
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