Cover; Title; Copyright; Contents; Exercises; Note on Terminology; Acknowledgements; Editorial Introduction; PART ONE The Politics of Writing Differently; 1 Intersectionality as Critical Methodology; 2 Passionate Disidentifications as an Intersectional Writing Strategy; 3 Writing the Place from Which One Speaks; 4 Whiteness and Affect: The Embodied Ethics of Relationality; 5 Feminist Crime Fiction as a Model for Writing History Differently; PART TWO Learning to Write Differently; 6 Six Impossible Things before Breakfast: How I Came across My Research Topic and What Happened Next
7 The Infinite Resources for Writing8 From an Empty Head to a Finished Text: The Writing Process; 9 The Choreography of Writing an Introduction; 10 Politics of Gendered Remembering: Feminist Narratives of "Meaningful Objects"; 11 Making Theories Work; 12 Making Language Your Own: Brainstorming, Heteroglossia and Poetry; 13 Writing in Stuck Places; 14 Publish or Perish: How to Get Published in an International Journal; Postscripts; On (Not) Reading Deleuze in Cairns; Authors' Aphorisms: A Year of Writing . . .; Contributors; Index
Summary
This edited volume combines cutting-edge research on feminist and intersectional writing methodologies with explorations of links between academic and creative writing practices. Contributors discuss what it means for academic writing processes to explore intersectional in-between spaces between monolithic identity markers and power differentials such as gender, race, ethnicity, class, sexuality and nationality. How does such a frame change academic writing? How does it make it pertinent to explore new synergies between academic and creative writing? In answer to these questions, the book o
