Description |
1 online resource (xiv, 248 pages) |
Series |
Religion in America series |
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Religion in America series (Oxford University Press)
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Contents |
Introduction and overview -- PART I: HISTORY: Sacred musics: traditional Obijwe music and Protestant hymnody -- Objibwes, missionaries, and hymn singing, 1828-1867 -- Music as negotiation: uses of hymn singing, 1868-1934 -- PART II: ETHNOGRAPHY: Twentieth-century hymn singing as cultural criticism -- Music as memory: contemporary hymn singing and the politics of death in Native America -- Conclusion: Does hymn singing work! Notes on the logic of ritual practice |
Summary |
The Ojibwe of Anishinaabe are a native American people who were taught by 19th-century missionaries to sing evangelical hymns translated into the native language both as a means of worship and as a tool for eradicating the ""indianness"" of the native people. Rather than Americanizing the people, however, these songs have become emblematic of Anishinaabe identity. In this book, Michael McNally uses the Ojiwbe's hymn-singing as a lens to examine how this native American people has creatively drawn on the resources of ritual to negotiate identity and survival within the structures of colonialism |
Bibliography |
Includes bibliographical references (pages 231-240) and index |
Notes |
Print version record |
Subject |
Ojibwa Indians -- Religion.
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Ojibwa Indians -- Cultural assimilation
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Hymns, Ojibwa -- History and criticism
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MUSIC -- Religious -- Hymns.
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Hymns, Ojibwa
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Ojibwa Indians -- Cultural assimilation
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Ojibwa Indians -- Religion
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Genre/Form |
Criticism, interpretation, etc.
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Form |
Electronic book
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ISBN |
1423760565 |
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9781423760566 |
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9786610473236 |
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6610473234 |
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