Cover; Copyright; Title Page; Contents; List of Figures; Acknowledgments; Note on Names; Introduction; 1. The Eye of the Shōhyaku-sha: Between Seeing and Knowing; 2. Ways of Conceptualizing the Real: Scripts, Names, and Materia Medica; 3. Modes of Observation and the Real: Exhibition Practices of the Shōhyaku-sha; Color Plates; 4. Picturing the Real: Questions of Fidelity and Processes of Pictorial Representation; 5. Shashin in the Capital: The Last Stage of Metamorphosis; Appendix: Takahashi Yuichi, "Yōgakyoku tekigen" (1865); Notes; Glossary; Works Cited; Index
Summary
This work provides an exploration of the process by which the Shohyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten
Bibliography
Includes bibliographical references (pages 243-253) and index