| Description |
1 online resource (515 pages) |
| Series |
Routledge Music Companions Ser |
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Routledge Music Companions Ser
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| Contents |
<P>Preface: Nicholas Gebhardt, Nichole Rustin-Paschal & Tony Whyton</P><B><P></P><P>Part I Historical Perspectives</P></B><P></P><P> </P><P>1. Tony Whyton, Wilkie's story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz</P><P>2. Bruce Johnson, Diasporic Jazz</P><P>3. Julianne Lindberg, I Like To Recognize The Tune: Interrupting Jazz and Musical Theater Histories</P><P>4. Bruce Raeburn, 'That Ain't No Creole, It's a ...!': Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz</P><P>5. Ken Prouty, "Jazz Education: Historical and Critical Perspectives"</P><P>6. Walter van de Leur, Swan Songs: Jazz, Death and Famous Last Concerts</P><P>7. Tim Wall, Jazz on Radio</P><P></P><B><P>Part II Methodologies</P></B><P></P><P>8. David Ake, After Wynton: Narrating Jazz in the Postneotraditional Era</P><P>9. Floris Schuiling, Jazz and the Material Turn</P><P>10. Catherine Tackley</P><P>11. John Howland, On <I>Billboard</I>, Isaac Hayes, and the 'Swinging Relationship' Between Jazz and Its Popular Music Cousins, 1950-1973</P><P>12. John Gennari, 'Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans:' Rethinking Jazz and Jazz Studies through Jason Moran's Multimedia Performance</P><P>13. Heli Reimann, Conceptualising Jazz as a Cultural Practice in Soviet Estonia</P><P>14. Alan Stanbridge, And Then I Don't Feel So Bad: Jazz, Sentimentality, and Popular Song</P><P></P><B><P>Part III Core Issues and Topics</P></B><P></P><P>15. Andrew Berish, Space and Place in Jazz</P><P>16. Mark Dorfman, Time in Jazz</P><P>17. George McKay, Jazz and disability</P><P>18. Patrick Burke, Race in the New Jazz Studies</P><P>19. Tom Perchard, The Vocalized Tone</P><P>20. Ben Bierman, What is the Place of the Recording Process in Jazz</P><P>21. Peter Elsdon, Figuring Improvisation</P><P>22. Fritz Schenker, Listening for Empire in Transnational Jazz Studies</P><P></P><B><P>Part IV Individuals, Collectives and Communities</P></B><P></P><P>23. Wolfram Knauer, New Orleans, the "Creole Concept", and Jazz</P><P>24. Marian Jago, Sitting in and Subbing Out: The Gig Economy of 1960s New York</P><P>25. Paul Steinbeck, George Lewis's<I> Voyager</P></I><P>26. Michael Pronko, Quiet About It-Jazz in Japan</P><P>27. Deborah Mawer, Performing Improvisation: Bill Evans and Jean-Yves Thibaudet</P><P>28. Eduardo Vincente, Bossa Nova and beyond: the jazz as symbol of Brazilian-ness (credit to Daniel for translation)</P><P>29. Scott Currie</P><P></P><B><P>Part V Politics, Discourse and Ideology</P></B><P></P><P>30. Anna Calenza, The Birth of Jazz Diplomacy: American Jazz in Italy, 1945 -- 1963</P><P>31. Chris Ballantine, Jazzing for a better future: South Africa and beyond</P><P>32. Roger Fagge, Eric Hobsbawn on Jazz</P><P>33. David Brackett, Jazz at the Crossroads of Art and Popular Music Discourses in</P><P>the 1960s</P><P>34. Greg Clark, The Rhetoric of Jazz</P><P>35. Charles Hersch, Unfinalizable: Bakhtin, Dialogue, and Self-Expression in Jazz</P><P>36. Raymond MacDonald & Graeme Wilson, Improvisation: What is it good for</P><P>37. Nicholas Gebhardt, Friends and Neighbors: Jazz and Everyday Aesthetics</P><P></P><B><P>Part VI New Directions and Debates</P></B><P></P><P>38. Nichole Rustin-Paschal, "<I>The Reason I Play the Way I Do Is</I>: Jazzmen, Emotion, </P><P>and Creating in Jazz" </P><P>39. David Borgo, The Art of Improvisation in the Age of Computational Participation</P><P>40. Björn Heile, Renaissance or AfterlifeNostalgia in the New Jazz Films</P><P>41. Nicolas Pillai, Comics as criticism: Harvey Pekar, jazz writer</P><P>42. Petter Frost Fadnes, Free Spirits -- The performativity of free improvisation</P><P>43. Simon Barber, My Jazz World: The Rise and Fall of a Digital Utopia</P><P>44. Krin Gabbard, Writing the Jazz Life</P><P></P><P> </P> |
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Cover; Half Title; Series Page; Title; Copyright; CONTENTS; List of Figures; List of Images; List of Tables; List of Examples; List of Contributors; Preface; Acknowledgments; PART I Historical Perspectives; 1 Wilkie's Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz; 2 Diasporic Jazz; 3 I Like to Recognize the Tune: Interrupting Jazz and Musical Theater Histories; 4 "That Ain't No Creole, It's a . . .!": Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz; 5 Jazz Education: Historical and Critical Perspectives |
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6 Swan Songs: Jazz, Death, and Famous Last Concerts7 Jazz on Radio; PART II Methodologies; 8 After Wynton: Narrating Jazz in the Postneotraditional Era; 9 Jazz and the Material Turn; 10 Jazz Meets Pop in the United Kingdom; 11 On Billboard, Isaac Hayes, and the "Swinging Relationship" Between Jazz and Its Popular Music Cousins, 1950-1973; 12 "Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans": Rethinking Jazz and Jazz Studies Through Jason Moran's Multimedia Performance; 13 Conceptualizing Jazz as a Cultural Practice in Soviet Estonia |
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14 And Then I Don't Feel So Bad: Jazz, Sentimentality, and Popular SongPART III Core Issues and Topics; 15 Space and Place in Jazz; 16 Time in Jazz; 17 Jazz and Disability; 18 Race in the New Jazz Studies; 19 The Vocalized Tone; 20 Jazz and the Recording Process; 21 Figuring Improvisation; 22 Listening for Empire in Transnational Jazz Studies; PART IV Individuals, Collectives, and Communities; 23 New Orleans, the "Creole Concept," and Jazz; 24 Sitting In and Subbing Out: The Gig Economy of 1960s New York; 25 George Lewis's Voyager; 26 Quiet About It-Jazz in Japan |
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27 Performing Improvisation: Bill Evans and Jean-Yves Thibaudet28 Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-Ness; 29 Individuals, Collectives, and Communities: Festivals and Festivalization: The Shaping Influence of a Jazz Institution; PART V Politics, Discourse, and Ideology; 30 The Birth of Jazz Diplomacy: American Jazz in Italy, 1945-1963; 31 Jazzing for a Better Future: South Africa and Beyond; 32 Eric Hobsbawm; 33 Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s; 34 The Rhetoric of Jazz; 35 Unfinalizable: Dialog and Self-Expression in Jazz |
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36 Improvisation: What Is It Good for?37 Friends and Neighbors: Jazz and Everyday Aesthetics; PART VI New Directions and Debates; 38 " The Reason I Play the Way I Do Is ": Jazzmen, Emotion, and Creating in Jazz; 39 The Art of Improvisation in the Age of Computational Participation; 40 Renaissance or Afterlife? Nostalgia in the New Jazz Films; 41 Comics as Criticism: Harvey Pekar, Jazz Writer; 42 Free Spirits: The Performativity of Free Improvisation; 43 My Jazz World: The Rise and Fall of a Digital Utopia; 44 Writing the Jazz Life; Index |
| Summary |
The Routledge Companion to Jazz Studies presents over forty articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquiry. Each chapter reflects on developments within jazz studies over the last twenty-five years, offering surveys and new insights into the major perspectives and approaches to jazz research. The collection provides an essential research resource for students, scholars, and enthusiasts, and will serve as the definitive survey of current jazz scholarship in the Anglophone world to-date. It extends the critical debates about jazz that were set in motion by formative texts in the 1990s, and sets the agenda for the future scholarship by focusing on key issues and providing a framework for new lines of enquiry. It is organized around six themes: I. Historical Perspectives, II. Methodologies, III. Core Issues and Topics, IV. Individuals, Collectives and Communities, V. Politics, Discourse and Ideology and VI. New Directions and Debates |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Jazz -- History and criticism
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Jazz -- Historiography
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companion to jazz studies.
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handbook of jazz studies.
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jazz.
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jazz analysis.
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jazz and society.
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jazz criticism.
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jazz history.
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jazz music.
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jazz musicians.
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jazz scholarship.
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jazz studies.
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jazz studies companion.
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jazz studies handbook.
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music history.
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Jazz
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Jazz -- Historiography
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| Author |
Gebhardt, Nicholas
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Rustin-Paschal, Nichole
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| ISBN |
9781315315799 |
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1315315793 |
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9781315315782 |
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1315315785 |
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9781315315775 |
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1315315777 |
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9781315315805 |
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1315315807 |
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