| Description |
1 online resource (268 pages) |
| Contents |
Intro -- Preface -- Disruptive Innovation: "Digital vs Handmade" -- We were surprised. . . -- Preface -- Handmade -- Digital -- Introduction -- Jewelry Interactions: From Analog to Digital -- Abstract -- 1. Jewelry from Emotion to Experience -- 2. Jewelry as Interface -- 3. Analog System Interaction -- 3.1. The Static Linear System -- 3.2. The Dynamic Linear System: Jewelry as Relational Analog Interface -- Between users and jewelry items -- Between users and their own bodies -- Between users and other objects -- Between users -- 4. Close Circuit Dynamic Interaction |
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5. Open Circuit Dynamic Interaction -- 6. Conclusions -- References -- The Future of Jewelry Programs in Higher Education: The Intersection of Technology and Handcraft -- Abstract -- Introduction -- Digital Tools in the Artist's Hand -- Challenges in Digital Education -- Complementary Relationship with the Jewelry Industry -- Gen Z-The New Generation -- Conclusion -- References -- Finding the Sensuous in Digital: Can "the Hand of the Maker" Survive the Digital Age? -- Abstract -- Introduction -- Part I: Digital Disruption -- Part 2: The Best of Both Worlds -- References |
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Digital Tooling and Handcrafting -- Abstract -- Introduction -- Karen-Ann Dicken -- Sandra Wilson-Setting a Base on a Vessel -- Other Artists -- Conclusion -- References -- The Grid, from Colonial to Digital: The Role of Digital Technology in Craft Making -- Abstract -- The Grid, from Colonial to Digital: The Role of Digital Technology in Craft Making -- Bibliography -- Maps and Images -- Craft, Pedagogy, and the Digital Challenge: A Jewelry Perspective -- Abstract -- 1. Introduction -- 2. Thinking in and Resisting Binaries -- 3. Impact of Time -- 4. Nostalgia for the Hand |
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5. Generational Difference/Bias -- 6. New Models of Learning -- 7. Communication and Agency -- 8. Conclusion -- Acknowledgements -- References -- Materializing Humanbeingness in Jewelry through Digital Transformation -- Abstract -- Materializing Humanbeingness in Jewelry through Digital Transformation -- References -- Further Reading -- Hand vs. Machine: Three Methods of Jewellery Making -- Abstract -- 1. Kadri Mälk: the Trace of Fingers -- 2. Sofia Hallik: Digital Craft -- 3. Sofia Hallik: Peer-Reviewed Exhibition, "Tangibility Matters" -- References -- A Virtual Tradition -- Abstract |
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A Virtual Tradition -- Further Reading -- Pixels Bejeweled: Modern Media, Contemporary Jewelry, and the Replication of Desire -- Abstract -- Introduction -- Anya Kivarkis -- Mary Hallam Pearse -- emiko oye -- Conclusion -- References -- Glitch in the Copy: Research into Noise Artifact in Digital Reproduction -- Abstract -- 1. Introduction -- 1.1. Methodology -- 1.2. Methods -- 2. Glitch -- 3. Material Markers -- Material Markers -- 4. Practical Research -- 5.1. Original -- 5.2. Process-Finished Pieces -- Scan_1 -- Scan_5 -- Scan_10 -- Scan_15 -- Scan_20 -- 6. Conclusion -- References |
| Summary |
"Embraces the problems and solutions posed by the dynamic dance of digital technology with the traditions of craftsmanship and perceived value in jewelry"-- Provided by publisher |
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Embraces the problems and solutions posed by the dynamic dance of digital technology with the traditions of craftsmanship and perceived value in jewelry |
| Notes |
"Fashion Institute of Technology; State University of New York; Politecnico Milano 1863." |
| Bibliography |
Includes bibliographical references |
| Notes |
Future Carriers of Our Past |
| Subject |
Jewelry -- Congresses
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Technology -- Social aspects -- Congresses
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Jewelry
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Technology -- Social aspects
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| Genre/Form |
Conference papers and proceedings
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| Form |
Electronic book
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| Author |
Yothers, Wendy, editor.
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Cappellieri, Alba, editor.
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Fashion Institute of Technology (New York, N.Y.), sponsoring body.
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Politecnico di Milano, sponsoring body.
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| ISBN |
9781438487656 |
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1438487657 |
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