| Description |
1 online resource |
| Contents |
Cover; Contents; Acknowledgments; Introduction; À propos de Nice, Jean Vigo, 1930; The Act of Seeing with One's Own Eyes, Stan Brakhage, 1971; The Atomic Café, Jane Loader, Kevin Rafferty, Pierce Rafferty, 1982; The Battle of Chile/La batalla de Chile, Patricio Guzmán, 1975-9; Berlin: Symphony of a Great City/Berlin: Die Sinfonie der Großstadt, Walter Ruttmann, 1927; Bowling for Columbine, Michael Moore, 2002; A British Picture: Portrait of an Enfant Terrible, Ken Russell, 1989; British Sounds, Jean-Luc Godard, Jean-Henri Roger, 1969; Bus 174, José Padilha, 2002 |
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Cane Toads: An Unnatural History, Mark Lewis, 1988Le Chagrin et la pitié/The Sorrow and the Pity, Marcel Ophüls, 1969; Chronique d'un été/Chronicle of a Summer, Jean Rouch, Edgar Morin, 1961; Close-Up, Abbas Kiarostami, 1990; Coal Face, Alberto Cavalcanti, 1935; Crisis: Behind a Presidential Commitment, Robert Drew, 1963; Daughter Rite, Michelle Citron, 1980; David Holzman's Diary, Jim McBride, 1967; Dead Birds, Robert Gardner, 1965; A Diary for Timothy, Humphrey Jennings, 1945; Dont Look Back, D.A. Pennebaker, 1967; The Emperor's Naked Army Marches On, Hara Kazuo, 1987 |
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Être et avoir, Nicolas Philibert, 2002The Fall of the Romanov Dynasty, Esfir Shub, 1927; Farrebique, Georges Rouquier, 1946; Fast, Cheap and Out of Control, Errol Morris, 1997; For Freedom, Hossein Torabi, 1979; Forgotten Silver, Peter Jackson, Costa Botes, 1995; Les Glâneurs et la glâneuse/The Gleaners and I, Agnès Varda, 2000; Grey Gardens, Albert and David Maysles, Ellen Hovde, Muffie Meyer, 1975; Grizzly Man, Werner Herzog, 2005; Handsworth Songs, John Akomfrah, 1986; A Happy Mother's Day, Richard Leacock, Joyce Chopra, 1963; Harlan County USA, Barbara Kopple, 1976 |
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Harvest of Shame, David Lowe, 1960Heidi Fleiss: Hollywood Madam, Nick Broomfield, 1995; Hoop Dreams, Steve James, 1994; The Hour of the Furnaces/La hora de los hornos, Octavio Getino, Fernando Ezequiel Solanas, 1968; Housing Problems, Edgar Anstey, Arthur Elton, 1935; Las Hurdes/Land without Bread, Luis Buñuel, 1933; I for India, Sandhya Suri, 2005; In the Year of the Pig, Emile de Antonio, 1968; Jazz, Ken Burns, 2001; Kon-Tiki, Thor Heyerdahl, 1950; Koyaanisqatsi: Life Out of Balance, Godfrey Reggio, 1982; Lessons in Darkness/Lektionen in Finsternis, Werner Herzog, 1992 |
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Let There Be Light, John Huston, 1946The Life and Times of Rosie the Riveter, Connie Field, 1980; Lonely Boy, Wolf Koenig, Roman Kroitor, 1962; Lost Lost Lost, Jonas Mekas, 1976; Lumière Programme, Louis and Auguste Lumière, 1895; Les Maîtres fous, Jean Rouch, 1955; Manhatta, Charles Sheeler, Paul Strand, 1921; Man of Aran, Robert Flaherty, 1934; Man with a Movie Camera, Dziga Vertov, 1929; March of the Penguins/La Marche de l'empereur, Luc Jacquet, 2005; A Married Couple, Allan King, 1969; Minamata, Tsuchimoto Noriaki, 1971; My Winnipeg, Guy Maddin, 2007 |
| Summary |
100 Documentaries provides concise and authoritative analysis of 100 key non-fiction films of world cinema, from the Lumiere brothers to Michael Moore. The volume features an introduction to the history and concerns of documentary film-making, as well as extensive cross-referencing and a wealth of images from the films discussed |
| Notes |
Print version record |
| Subject |
Documentary films -- History and criticism
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LANGUAGE ARTS & DISCIPLINES -- Journalism.
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Documentary films
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
1844575519 |
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9781844575510 |
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