| Description |
1 online resource (xiv, 300 pages) |
| Series |
Music: interview |
|
Music:interview.
|
| Contents |
Introduction -- Where is the music? what is the music?: Albert Maysles, Gimme shelter (1970) -- Representing the margins and underrepresenting the real: Jill Godmilow, Antonia: A portrait of the woman (1974) -- The use and abuse of musicological concepts: Shirley Clarke, Ornette: Made in America (1985) -- The theater of mass culture: D.A. Pennebaker and Chris Hegedus, Depeche mode: 101 -- Cinematic dub and the multitude: Jem Cohen and Fugazi, Instrument -- Epilogue: toward a ciné-ethnomusicology |
| Summary |
A critical companion to the most celebrated music documentaries of the twentieth century |
| Bibliography |
Includes bibliographical references, filmography, and index |
| Notes |
Online resource; title from digital title page (viewed on May 16, 2018) |
| Subject |
Documentary films -- United States -- History and criticism
|
|
Motion picture music -- United States -- History and criticism
|
|
LANGUAGE ARTS & DISCIPLINES -- Journalism.
|
|
Documentary films
|
|
Motion picture music
|
|
United States
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| LC no. |
2017042746 |
| ISBN |
9780819578020 |
|
0819578029 |
|
