Description |
1 online resource (viii, 252 pages) |
Contents |
Part I (1917-1928). From the stage to the screen : "goin' to the movies ..." in the Great War and the 1920s -- Experimental drama and Soviet constructivist theater -- The birth of an industry : setting the stage for the screen -- "Propaganda for peace": film and narrative in One man's initiation : 1917 (1920), Three soldiers (1921), and D.W. Griffith's Hearts of the world (1918) -- Soviet film : montage, the camera eye, and ideology -- Part II (1934-1937). From Paramount Studios to the Spanish front: writing Hollywood, filming history -- "The world's greatest center of ... propaganda" : Hollywood, The devil is a woman, and The big money -- Film writing : "dreamfactory," meta-film, and the politics of form -- Filming history and The Spanish earth : "what a man and a comrade has to do in ... Wartimes" -- Part III (1937-1970). From page to stage to screens: adapting U.S.A. and "the truth as I see it" -- Filmic narrative into narrative film : "politics and the silver screen." |
Summary |
"The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing draws on previously unpublished manuscripts and letters to explore his cinematic methods and his controversial mid-career conservative political shift"-- Provided by publisher |
Bibliography |
Includes bibliographical references and index |
Notes |
Online resource; title from digital title page (viewed on February 11, 2020) |
Subject |
Dos Passos, John, 1896-1970 -- Motion picture plays
|
|
Dos Passos, John, 1896-1970 -- Political and social views
|
SUBJECT |
Dos Passos, John, 1896-1970 fast |
Subject |
Literary studies: from c 1900.
|
|
LITERARY CRITICISM -- American -- General.
|
|
Motion picture plays
|
|
Political and social views
|
Form |
Electronic book
|
LC no. |
2019011303 |
ISBN |
9781942954880 |
|
1942954883 |
|
9781789629781 |
|
1789629780 |
|