Description |
1 online resource (xvi, 408 pages) : illustrations |
Contents |
Prologue : the frame-up -- Tijuana nights in Phoenix and Los Angeles. The education of Sonny Clay ; Independence Day ; Across the River Styx : Sonny Clay's Tijuana ; South Central Avenue, Los Angeles ; The lost angels -- In California with Harry Muller. The best box office judge in Australia ; The real Charleston ; Testing the waters -- Rattlin' fine Sydney. My blue heaven ; The jazzing spheres ; A comparative vacation ; American boomerang -- Views of commonwealth policy. Major Lloyd's investigation branch ; The 'black menace' ; Synchronising operations -- The making of modern Melbourne. The Carlyon touch ; A sterling advertisement for Australian girlhood ; Miss 1928 ; Jazz night -- Keeping orchestras British. Cecil Trevelyan's questions of principle ; War on American players -- Petty sessions. Constable Saker tells the truth ; Women who bite policemen ; Silk petticoats and mauve pyjamas ; Tooth and law -- Idle and disorderly. The eight hour day ; A young woman in trouble ; Judicial theatre ; A captive audience -- Unwritten law. The Sydney express ; British justice ; Citizen soldier ; The character test -- Purification rites. Storm centre ; This bit of earth ; Fit for the task ; Saving Edna Langdon -- On their way. The non-stop endurance dance record ; Sailaway streamers -- The quarantine blues. Shake it and break it and let it fall ; What now? ; Bagging the cat |
Summary |
"The 1920s were a time of wonder and flux, when Australians sensed a world growing smaller, turning faster--and, for some, skittering off balance. American movies, music and dance brought together what racial lines kept apart. A spirit of youthful rebellion collided with the promise of racial perfectibility, stirring deep anxieties in white nationalists and moral reformers. African-American jazz represented the type of modernism that cosmopolitan Australians craved--and the champions of White Australia feared. Enter Sonny Clay's Colored Idea. Snuck in under the wire by an astute promoter, the Harlem-style revue broke from the usual blackface minstrel fare, delivering sophisticated, liberating rhythms. The story of their Australian tour is a tale of conspiracy--a secret plan to kick out and keep out 'undesirable' expressions of modernism, music and race. From the wild jazz clubs of Prohibition-era LA to Indigenous women discovering a new world of black resistance, this anatomy of a scandal-fuelled frame-up brings into focus a vibrant cast of characters from Australia's Jazz Age"--OverDrive |
Bibliography |
Includes bibliographical references and index |
Notes |
Online resource; title from digital title page (viewed on November 10, 2021) |
Subject |
Clay, Sonny, 1899-1973.
|
|
Music and race -- Australia -- History -- 20th century
|
|
Nineteen twenties.
|
|
Jazz -- Australia -- Sydney (N.S.W.) -- History and criticism
|
|
Jazz -- Australia -- Melbourne (Vic.) -- History and criticism
|
|
HISTORY / Australia & New Zealand
|
|
Jazz
|
|
Music and race
|
|
Nineteen twenties
|
|
Race relations
|
SUBJECT |
Sydney (N.S.W.) -- Race relations -- History -- 20th century
|
|
Melbourne (Vic.) -- Race relations -- History -- 20th century
|
Subject |
Australia
|
|
New South Wales -- Sydney
|
|
Victoria -- Melbourne
|
Genre/Form |
Criticism, interpretation, etc.
|
|
History
|
Form |
Electronic book
|
ISBN |
0522877656 |
|
9780522877656 |
|