| Description |
1 online resource (257 pages) |
| Contents |
<P>Introduction: The social, political and technological background; Chapter 1: The Kruger and the politics of conservation; Chapter 2: Catching rhinos: from Ian Player to John Wayne; Chapter 3: East to South: why African wildlife filmmaking moved from East to Southern Africa; Chapter 4: Alan Root in Kenya and the Bartletts in Southern Africa; Chapter 5: Michael Rosenberg and cultural brokering; Chapter 6: David and Carol Hughes; Chapter 7: Dieter Plage and South West Africa; Chapter 8: John Varty and the role of the private lodge; Chapter 9: Technology transfers and local innovations; Chapter 10: The new millennium: Kim Wolhuter, the Jouberts and Mad Mike and Mark; Chapter 11: The future of the genre?: WildEarth television and the attractions of wildlife live; Conclusion.</p> |
| Summary |
This is the first study of wildlife filmmaking in Southern Africa with particular emphasis on the relationship between trends there and elsewhere |
| Notes |
Print version record |
| Subject |
Nature films -- South Africa -- History and criticism
|
|
Motion pictures.
|
|
Nature films.
|
| SUBJECT |
South Africa -- In motion pictures.
http://id.loc.gov/authorities/subjects/sh89005104
|
| Subject |
South Africa.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
1839981512 |
|
1839981520 |
|
9781839981517 |
|
9781839981524 |
|
