| Description |
1 online resource (304 pages) : illustrations |
| Series |
BilderDiskurs |
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BilderDiskurs
|
| Contents |
The public in the picture: an introduction / Beate Fricke and Urte Krass -- Das auge und der blick zum auftreten von zuschauern in der griechischen bilderwelt / Annette Haug -- Öffentlicher raum und publikum in der illustrationen der Maqamat al-Hariris im 13. jahrhundert / Andrea Lermer -- Audiences on the walls of St Clement / Andrew Griebeler -- Complicity in spectatorship: bystanders and beholders in the Massacre of Innocents of Giotto and Giovanni Pisano / Beate Fricke -- From place to space: Raumkästen and the moving spectator in medieval Italian art / Christopher Lakey -- Anteilnahme trauernde begleiter an burgundischen und anderen grabmälern / Henrike Haug -- Gegenwart und zukunft die endzeit und ihre zuschauer in den fünfzehn zeichen vor dem jüngsten gericht / Daniela Wagner -- Public relations: eyewitnesses in 14th-century French royal manuscripts / Anja Rathmann-Lutz -- The invented audience: allegorical power of persuasian as visual strategy / Cornelia Logemann -- See and be amazed!: spectator figures in Persian manuscript painting / Alberto Saviello -- Strukturwandel der öffentlichkeit Piero della Francescas Fleagellazione als schaustück für die unerbittlichkeit der perspektive / Urte Krass -- Training the eye: the advent of the beholder into Sandro Botticelli's Adorazioni / Christiane Hille |
| Summary |
"The invention of the public in the picture--the depiction of nameless bystanders, beholders, and onlookers--marks an important change in the ways artists addressed the beholder of the artworks since the thirteenth century. This shift toward the representation of these figures speaks to a significant transformation of the relationship between images and their audiences. The public in the picture acts as mediator between times, persons, and contents. The contributions in this volume describe this moment from a diachronic and transcultural perspective. Each of them focuses on a specific group of works revealing a new moment in this history. They explore the cultural contexts of the political and religious public, and relate the rise of the public in the picture to the rise of perspectival representation (Panofsky's space-box and Kemp's Chronotopos)"--Back cover |
| Notes |
7 English, 5 German contributions |
|
Text in English and German |
|
Print version record |
| Subject |
Painting -- Themes, motives -- History
|
|
ART -- History -- General.
|
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Painting -- Themes, motives
|
| Genre/Form |
History
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| Form |
Electronic book
|
| Author |
Fricke, Beate, editor
|
|
Krass, Urte, editor
|
| ISBN |
9783037344798 |
|
3037344792 |
|
3037344784 |
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9783037344781 |
|
