| Description |
1 online resource (xii, 309 pages) : illustrations |
| Contents |
1. Caught in the Spectacle -- 2. Gendering the National "Self" -- 3. Military Males, "Bad" Women, and a Dirty, Dirty War -- 4. The Theatre of Operations: Performing Nation-ness in the Public Sphere -- 5. Percepticide -- 6. Disappearing Bodies: Writing Torture and Torture as Writing -- 7. Trapped in Bad Scripts: The Mothers of the Plaza de Mayo -- 8. Staging Battles of Gender and Nation-ness: Teatro Abierto 1981 -- 9. Crossing the Line: Watching Violence in the "Other" Country |
| Summary |
In Disappearing Acts Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and relationship. The specific identity in question is that of Argentina, and Taylor's focus is directed toward the years 1976 to 1983 in which the Argentine armed forces were pitted against the Argentine people in that nation's "Dirty War." Combining feminism, cultural studies, and performance theory, Taylor analyzes the political spectacles that comprised the war - concentration camps, torture, "disappearances"--As well as the rise of theatrical productions, demonstrations, and other performative practices that attempted to resist and subvert the Argentine military |
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Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond |
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Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina's national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina's spectacle of terror |
| Bibliography |
Includes bibliographical references (pages 291-303) and index |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
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Print version record |
| Subject |
Theater -- Political aspects -- Argentina
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Argentine drama -- 20th century -- History and criticism
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Violence -- Argentina -- History -- 20th century
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Disappeared persons -- Argentina
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PERFORMING ARTS -- Theater -- General.
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HISTORY -- Latin America -- South America.
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Argentine drama
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Disappeared persons
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Politics and government
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Theater -- Political aspects
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Violence
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Drama
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Theater
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Dictatuur.
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Nationalisme.
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Vrouwen.
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Beeldvorming.
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Personnes disparues -- Argentine.
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Violence -- Argentine -- Histoire -- 20e siècle.
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Théâtre argentin -- 20e siècle -- Histoire et critique.
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Théâtre -- Aspect politique -- Argentine.
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Politique et littérature -- Argentine.
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| SUBJECT |
Argentina -- Politics and government -- 1955-1983. http://id.loc.gov/authorities/subjects/sh85007068
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| Subject |
Argentina
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Argentinien
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Argentine -- Politique et gouvernement -- 1955-1983.
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| Genre/Form |
Criticism, interpretation, etc.
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History
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| Form |
Electronic book
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| LC no. |
96022185 |
| ISBN |
9780822399285 |
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0822399288 |
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