| Description |
1 online resource (ix, 134 pages) : illustrations |
| Series |
Oxford keynotes |
|
Oxford keynotes.
|
| Summary |
"The heroine of the most performed opera in the world since 1875, Carmen has become a universal cultural icon. She has appeared in a multitude of ballets, on stage as well as ice rinks, and in some eighty international films. The success of Bizet' opera owns a lot to the libretto's singular accounting of the 1845 short story on which it is based. In her close textual analyses of Ludovic Halévy's and Henri Meilhac's libretto and Prosper Mérimée's novella, the author strives to account for the multiple aspects of Carmen's attraction that support George Bizet's acclaimed musical score. Through its multi-facetted cultural renditions through time and place, the story of Carmen can be said to have attained the status of a myth. Myths are stories that speak to us, in our own time and place, about personal, social, or cultural issues"-- Provided by publisher |
| Notes |
"About the companion website"--Page x |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from web page (Oxford Scholarship Online, viewed on June 15, 2020) |
| Subject |
Bizet, Georges, 1838-1875. Carmen.
|
|
Meilhac, Henri, 1831-1897. Carmen.
|
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Mérimée, Prosper, 1803-1870. Carmen.
|
| SUBJECT |
Carmen (Bizet, Georges) fast |
|
Carmen (Meilhac, Henri) fast |
|
Carmen (Mérimée, Prosper) fast |
| Subject |
Romanies in opera.
|
|
Romanies in opera
|
| Form |
Electronic book
|
| LC no. |
2019036001 |
| ISBN |
9780190059187 |
|
0190059184 |
|
9780190059163 |
|
0190059168 |
|
0190059176 |
|
9780190059170 |
|
