| Description |
1 online resource |
| Contents |
The theology of prayer: reasonable devotion, rational dissent, and the evangelical revival -- 'The solitary saint walks forth to meditate at even-tide': evangelical prayer and interiority in William Cowper -- 'Till all my sense is lost in infinite': contemplation, affect, and rational dissenting prayer in Barbauld -- 'Hence the necessity of Prayer': Coleridge and the reasoning of devotion, 1794-1832 -- 'This prayer I make': hesitant devotions in Wordsworth's poetry -- 'Too late for antique vows': scepticism, elegy, and romance in Keatsian prayer -- 'Unlike the God of human Error': the end of prayer in Shelley and Byron |
| Summary |
"Whilst religion and the secular have been continually debated contexts for literature of the Romantic era, the dominant scholarly focus has always been on doctrines and denominations. In analysing the motif of devotion, this book shifts attention to the quintessential articulation of religion as lived experience, as practice, and as a performative rather than descriptive phenomenon. In an era when the tenability and rationality of prayer were much contested, poetry--a form with its own interlinked history with prayer, especially via lyric--was a unique place to register what prayer meant in modernity. This study illustrates how the discourse of prayer continually intervened in the way that poetic practices evolved and responded to the religious and secular questions of the eighteenth- and nineteenth-century moment. After laying out the details of prayer's historical position in the Romantic era across a spread of religious traditions, it turns to a range of writers, from the identifiably religious to the staunchly sceptical. William Cowper and Anna Letitia Barbauld are shown to use poetry to reflect and reinvent the ideals of prayer inherited from their own Dissenting denominational histories. Samuel Taylor Coleridge's work is analysed as part of a long engagement with the rationality of prayer in modernity, culminating in an explicit 'philosophy' of prayer; William Wordsworth--by contrast--keeps prayer at an aesthetic distance, continually alluding to prayerful language but rarely committing to a devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord Byron are treated in the context of departing from Christianity, under the influence of Enlightenment, materialist and atheist critique--what happens to prayer in poetry when prayer as a language is becoming impossible to maintain?"--Publisher's description |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from PDF title page (Oxford Scholarship Online, viewed on May 19, 2021) |
| Subject |
English poetry -- 18th century -- History and criticism
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English poetry -- 19th century -- History and criticism
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Prayer -- Christianity.
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Hymns -- History and criticism.
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Romanticism -- Religious aspects -- Christianity.
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Religion in literature.
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English poetry
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Hymns
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Prayer -- Christianity
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Religion in literature
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Romanticism -- Religious aspects -- Christianity
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9780191890420 |
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0191890421 |
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9780192599650 |
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0192599658 |
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