| Description |
1 online resource |
| Series |
Studies in surrealism |
|
Ashgate studies in surrealism.
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| Contents |
Part, I Replication in the 20th century and the Galleria Schwarz -- chapter Introduction -- Challenging originality, authenticity, and authorship / Adina Kamien-Kazhdan -- chapter 1 Replication in the 20th century -- Motivations, terms, and issues / Adina Kamien-Kazhdan -- chapter 2 Galleria Schwarz / Adina Kamien-Kazhdan -- part, II Replication in the oeuvre of Duchamp and Man Ray / Adina Kamien-Kazhdan -- chapter 3 Duchamp -- "Not an original in the conventional sense" / Adina Kamien-Kazhdan -- chapter 4 Man Ray's "Objects of My Affection" / Adina Kamien-Kazhdan -- part, III Commissioning and fabrication of the editioned replicas / Adina Kamien-Kazhdan -- chapter 5 Mirrorical return -- Marcel Duchamp's editioned readymades / Adina Kamien-Kazhdan -- chapter 6 The "Indestructible" Man Ray / Adina Kamien-Kazhdan -- chapter 7 Reception of the editioned replicas / Adina Kamien-Kazhdan -- chapter Conclusion / Adina Kamien-Kazhdan |
| Summary |
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. 'Remaking the Readymade' reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. 0Launched at the centenary of Duchamp's Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray' initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art |
| Bibliography |
Includes bibliographical references (pages [307]-341) and index |
| Notes |
Description based on print version record and CIP data provided by publisher |
| Subject |
Duchamp, Marcel, 1887-1968.
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Man Ray, 1890-1976.
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Schwarz, Arturo, 1924-2021
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| SUBJECT |
Duchamp, Marcel, 1887-1968 fast |
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Man Ray, 1890-1976 fast |
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Schwarz, Arturo, 1924-2021 fast |
| Subject |
Imitation in art.
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Mimesis in art.
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Art, Modern -- 20th century.
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Art -- Philosophy.
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Modernism (Art)
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Surrealism.
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Art, Modern.
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mimesis.
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Surrealist.
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ART -- General.
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Art, Modern
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Art -- Philosophy
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Imitation in art
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Mimesis in art
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Modernism (Art)
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Surrealism
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| Genre/Form |
Electronic books
|
|
History
|
| Form |
Electronic book
|
| LC no. |
2020693770 |
| ISBN |
9780429453724 |
|
0429453728 |
|
9781472478160 |
|
1472478169 |
|
9780429843570 |
|
0429843577 |
|
