| Description |
1 online resource (329 p.) |
| Series |
Queer Screens |
|
Queer screens.
|
| Contents |
Cover Page -- Title Page -- Copyright Page -- Contents -- Introduction -- On Writing -- On Cinema -- On Friendship -- Putting It Together -- A Note on My Better (Queer) Angels -- Notes -- I: Politics, Love, and the Queer Auteur -- 1. Introduction to Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic -- Performing Black and Queer -- White Seduction -- Black Male Homosexuality -- The Cinematic -- Notes -- 2. Past the Post?: Screening Progress and Reappearing Fascism -- 1. -- 1.1. -- 1.1.1. -- 1.1.1.1. -- Notes |
|
3. Authorship, A Queer Death: Review of Jane Gallop's The Deaths of the Author: Reading and Writing in Time -- Notes -- II: Archival Penetration -- 4. Queer Angels . . . -- Presenting the Homosexual! -- The Historian as Liar -- Les Pochettes-Surprises du Gay Paris -- Angelic Excrescence -- Historical Perversions and Surreal Objets d'Art -- The Perversion of History -- History as Gossip -- Notes -- 5. Hide and Seek, or, The History of Difference under Erasure -- 6. Penetrating Epstein: Reviews of Une vie pour le cinéma: Jean Epstein, by Joël Daire |
|
Jean Epstein: Critical Essays and New Translations, edited by Sarah Keller and Jason N. Paul -- and Jean Epstein, DVD Box Set -- Notes -- 7. In Excess of the Cut: Peter Greenaway's Eisenstein in Guanajuato -- Notes -- 8. Queer Modernism: The Cinematic Aesthetic of Vincente Minnelli -- Minnelli's Masculinity and the Arts -- Small-Town Boys and Dandified "Hysteria" in Twentieth-Century New York -- Urban Sophistication -- Notes -- 9. The Case of the Ceramic Dildo: Notes on Queer Historiography and Ramón Novarro's Remains -- Deviously Charming -- Urban Migrations |
|
Tearing at the Skin of History: Bathhouses, Hustlers, and Art Deco Dildos -- "Souvenirs Drenched in Blood" -- Teatro Intimo -- Notes -- 10. How Do We Look So Far?: Notes toward a Queer Film Philosophy -- I. -- II. -- III. -- IV. -- V. -- VI. -- VII. -- Notes -- III: On Writing and Cinematic Friendship -- 11. Queer Turns: The Cinematic Friendship of Marcel Duchamp and Charles Demuth -- New York and Duchamp's Cinematic Turn on Gender -- Queer Cranks -- Demuth's "Good Seed" -- Notes -- 12. Marlon Riggs's Tongues Untied: DVD Review |
|
13. With "Gay Abandon": The Auteur as Homosexual Writer in the Twenty-First Century -- Writing and Twenty-First-Century Gay Auteurs -- Writing Himself into the Film: Lucio Castro -- The Gay Auteur on the Move: Christophe Honoré -- Writing Wildly: Camille Vidal-Naquet -- Notes -- 14. Strange Days: Christophe Honoré's Multimedia Trilogy -- The Novel -- The Film -- The Play -- Notes -- 15. Speculations on the Origin of the World: Notes toward Queer Feminism, Gustave Courbet's L'Origine du monde, and Christophe Honoré's 17 fois Cécile Cassard -- A Cinematic Dry Run -- "The Aim of All Life Is Death" |
| Summary |
Discovering the queer auteur and their seductive cinematic delights and possibilities |
| Bibliography |
Includes bibliographical references and index |
| Notes |
The Cinematic Womb |
|
Description based on online resource; title from digital title page (viewed on March 23, 2023) |
| Subject |
Auteur theory (Motion pictures)
|
|
Sexual minorities' writings, English.
|
|
Sexual minorities in motion pictures.
|
|
Sexual minorities in literature.
|
|
Auteur theory (Motion pictures)
|
|
Sexual minorities in literature
|
|
Sexual minorities in motion pictures
|
|
Sexual minorities' writings, English
|
|
LGBTQ+ people
|
| Form |
Electronic book
|
| ISBN |
0814350224 |
|
9780814350225 |
|
