| Description |
1 online resource (ix, 158 pages) : illustrations |
| Contents |
Introduction / Frank Occhiogrosso -- Close readings of the written text. A special meaning of "within" / Mariko Ichikawa -- "Music plays and they dance": a close reading of Romeo and Juliet, 1.5 / Frank Occhiogrosso -- "Post-alone": a missing word and the limits of biography / Lachlan Mackinnon -- Shakespeare's secret language, with specimens from a commentary / John Russell Brown -- Close reading, illustration, and productive ambivalence / Stuart Sillars -- A dramatic function of Caliban's "Be not afeared" speech in The tempest / John Mucciolo -- "Mention my name in Verona": is Cassio Florentine? / Steve Sohmer -- Close reading of performance. Close enough readings, or trying to ascribe the actor's part in analyzing performance texts / Kevin A. Ewart -- Reading Morocco: four film versions of The merchant of Venice / Boika Sokolova -- Red button Shakespeare / Rob Conkie -- Can we/should we close read performance? / Andrew James Hartley |
| Notes |
Papers presented at the 2008 International Shakespeare Conference at Stratford-upon-Avon |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Shakespeare, William, 1564-1616 -- Film adaptations -- Congresses.
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Shakespeare, William, 1564-1616 -- Dramatic production -- Congresses.
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Shakespeare, William, 1564-1616 -- Stage history -- Congresses.
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English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism -- Congresses.
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| Genre/Form |
Aufsatzsammlung
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Conference papers and proceedings.
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Criticism, interpretation, etc.
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Conference papers and proceedings.
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Film adaptations.
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| Form |
Electronic book
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| Author |
Occhiogrosso, Frank, 1943-
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| ISBN |
1611470153 (electronic bk.) |
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9781611470154 (electronic bk.) |
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