| Description |
1 online resource |
| Contents |
Frames and circumstances -- Mechanism and meaning in illustrated editions -- Performance reading in practice -- Shakespeare painting and aesthetic identity -- The visual identities of the Comedy of Errors -- Text, image and temper in King Lear -- Rhythms of action and feeling : the Roman plays -- Rank and race in imaging Othello -- The merchant of Venice and English visual culture -- Shakespeare painting 1800-1848 -- Conclusions and departures |
| Summary |
"This wide-ranging study traces the forces that drove the production and interpretation of visual images of Shakespeare's plays. Covering a rich chronological terrain, from the beginning of the eighteenth century to the midpoint of the nineteenth, Stuart Sillars offers a multidisciplinary, nuanced approach to reading Shakespeare in relation to image, history, text, book history, print culture and performance"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed January 3, 2019) |
| Subject |
Shakespeare, William, 1564-1616 -- Criticism and interpretation.
|
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Shakespeare, William, 1564-1616 -- Aesthetics.
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Shakespeare, William, 1564-1616 |
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DRAMA -- English, Irish, Scottish, Welsh.
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Aesthetics
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9781108148948 |
|
1108148948 |
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9781108147705 |
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1108147704 |
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