Limit search to available items
Book Cover

Title Shakespeare on screen : Macbeth / edited by Sarah Hatchuel, Nathalie Vienne-Guerrin and Victoria Bladen
Published ©2014
Mont-Saint-Aignan [France] : Presses universitaires de Rouen et du Havre, 2014


Description 1 online resource (543 pages)
Contents Preface; Phantom of the Cinema: Macbeth's Ghosts in the Flesh; 1. Textual sources; 2. OrsonWelles, ; 3. Akira Kurosawa, ; 4. Roman Polanski, ; 5. Trevor Nunn, ; 6. Alexander Abela, ; 7. Vishal Bhardwaj, ; 8. Conclusion; Bibliography; "Instruments of Darkness": Witches and the Supernatural in Four Versions of Macbeth1; Bibliography; Witches and Ghosts in Modern Times Lost? How to Negotiate the Supernatural in Modern Adaptations of Macbeth; 1. Introduction: A busy decade for Macbeth; 2. Teenagemutant witches in a Mad-Max wasteland
3. Angry young sluts in Melbourne underworld4. Sickening nuns in godless tyranny; 5. Conclusion: Foul is definitely fair; Bibliography; Macbeth's Witches: Nurses, Waitresses, Feminists, Punk Gore Groupies; Bibliography; Weird Space in Macbeth on Screen; Weird Space as Natural Space; Natural or Supernatural; Weird Space as Peripheral Space; Weird Space as Inner Space; Weird Space as pervasive; Conclusion; Bibliography; "Look how our partner's rapt": Externalizing Rapture in Orson Welles's Macbeth (,); Bibliography; Symbolic and Thematic Impoverishment in Roman Polanski's Macbeth
2.2. A political Macbeth?Credits; Actors:; With the voices of:; Presentation:; Bibliography; ". . . [M]ethought/ The wood began to move" (. . -- ) or Whatever Happened to Witches and Woods in Akira Kurosawa's Throne of Blood (), Alexander Abela's Makibefo () and Mark Brozel's Macbeth (): Film Style or the Poetics of Displacement; The jo or introduction; The hà or destruction: Witches, wizards. . . and ladies; Witches; Doing the deed: the seen and the unseen; The ghost sequence: fromthe visible to the invisible; The Kyù, or haste; Guilt andmadness; Whatever happened to Birnam
Conclusion. From visual narration to the visionary:Time-image or showing beyond, the "cinema of a seer"; Bibliography; Fleance in the Final Scene of Macbeth: The Return of the Repressed; Bibliography; "A Barren Sceptre" (. .): Generation, Generations, and Destiny in Maqbool and Global Adaptations of Macbeth; 1. The Prophetic Bind; 2. The Power of Prophecy in Global Adaptations of Macbeth; 3. "A Fruitless Crown" (. .): Fecundity and the Challenge to Destiny; Bibliography; Home Sweet Home: Visual Representation of Domestic Spaces in Macbeth; Macbeth and Gothic fiction
Notes "Originated with a seminar at the 2011 World Shakespeare Congress in Prague"--Preface
Bibliography Includes bibliographical references
Notes English
Online resource; title from PDF title page (ebrary, viewed September 3, 2015)
SUBJECT Shakespeare, William, 1564-1616. Macbeth -- Congresses
Shakespeare, William, 1564-1616 -- Film adaptations -- Congresses
Shakespeare, William, 1564-1616 -- Television adaptations -- Congresses
Shakespeare, William, 1564-1616. fast (OCoLC)fst00029048
Macbeth (Shakespeare, William) fast (OCoLC)fst01356136
Subject English drama -- Film adaptations -- Congresses
English drama -- Television adaptations -- Congresses
Film adaptations -- History and criticism -- Congresses
Television adaptations -- History and criticism -- Congresses
English drama.
Film adaptations.
Television adaptations.
English Literature.
Languages & Literatures.
Genre/Form Conference papers and proceedings.
Criticism, interpretation, etc.
Form Electronic book
Author Hatchuel, Sarah, editor
Vienne-Guerrin, Nathalie, editor
Bladen, Victoria, editor
ISBN 9791024000381