Description |
1 online resource (ix, 239 pages) |
Series |
Oxford English monographs |
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Oxford English monographs.
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Contents |
""Contents""; ""Acknowledgements""; ""List of Abbreviations""; ""Editions Used""; ""Introduction""; ""1. Incorporating the Past in 1 Henry VI""; ""2. Converting Names in Love�s Labour�s Lost""; ""3. Seeming Difference in Measure for Measure and All�s Well that Ends Well""; ""4. Affecting Possession in King Lear""; ""5. Knowing Fiction in The Winter�s Tale""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Y""; ""Z"" |
Summary |
Gillian Woods asks why Catholicism had such an imaginative hold on Shakespearean drama, even though the on-going Reformation outlawed its practice. Concentrating on dramatic impact, and integrating literary analysis with fresh historical research the book offers a new and engaging answer to this important question |
Bibliography |
Includes bibliographical references and index |
Subject |
Shakespeare, William, 1564-1616 -- Religion.
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Shakespeare, William, 1564-1616 -- Spiritualistic interpretations.
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Shakespeare, William, 1564-1616 -- Symbolism.
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SUBJECT |
Shakespeare, William, 1564-1616 fast |
Subject |
Catholic Church -- In literature.
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SUBJECT |
Catholic Church fast |
Subject |
DRAMA -- Shakespeare.
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LITERARY CRITICISM -- Shakespeare.
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Literature
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Religion
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Spiritualistic interpretations
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Symbolism
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Form |
Electronic book
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ISBN |
9780191650970 |
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0191650978 |
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