| Description |
1 online resource (xvii, 170 pages) : illustrations |
| Series |
Visible evidence ; v. 21 |
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Visible evidence ; v. 21.
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| Contents |
Acknowledgments; Introduction; Part I: Framing Change, Invoking the Moment; 1 The Phenomenology of Image and Time; 2 The Time-Image and the Trace; 3 Frame-Breaking Events and Motifs beyond Representation; Part II: Experimental Figures of Time; 4 The Interval and Pulse Beat of Rhythm; 5 Screen Events of Velocity and Duration; 6 Telling Signs of Loss: Beginnings of Possible Stories; 7 The Trace in Contemporary Media; Documentary Time: An Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z |
| Summary |
Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of clas |
| Bibliography |
Includes bibliographical references (pages 151-164) and index |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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English |
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
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Print version record |
| Subject |
Documentary films -- History and criticism
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Time in motion pictures.
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LANGUAGE ARTS & DISCIPLINES -- Journalism.
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PERFORMING ARTS -- Film & Video -- History & Criticism.
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Documentary films
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Time in motion pictures
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9780816656547 |
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0816656541 |
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