| Description |
1 online resource (455 pages) : illustrations |
| Contents |
Plural temporality of the work of art -- "The image of the image of Our Lady" -- What is substitution? -- An antique statue of Christ -- The plebeian pleasure of anachronism -- Architectural models -- Double origins if the Christian temple -- Icon maintenance -- Fashion in painting -- Ancient painting -- Substitution symbolized -- Author and acheiropoieton -- Antiquity of buildings overrated -- Non-actual histories of architecture -- Temples painted, printed, and real -- Citation and spoliation -- Neo-cosmatesque -- Movable buildings -- The Titulus Crucis -- The fabrication of visual evidence -- Retroactivity -- Forgery 1: copy -- Forgery 2: pastiche -- Anti-architecture -- The primitive hut amidst the ruins of St. Peter's -- Mosaic/paint 1; limits of substitution -- Mosaic/paint 2: intermedial comparison -- Space for fiction |
| Summary |
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts |
| Bibliography |
Includes bibliographical references (pages 369-446) and index |
| Notes |
Print version record |
| Subject |
Architecture, Renaissance.
|
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Art, Renaissance.
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Building materials -- Recycling
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Time and art.
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Architecture, Renaissance.
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Architektur
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Art, Renaissance.
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Building materials -- Recycling.
|
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Konst -- historia -- renässansen.
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Kunst
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Renaissance
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Time and art.
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| Form |
Electronic book
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| Author |
Wood, Christopher S.
|
| ISBN |
1942130449 |
|
9781942130444 |
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