Description |
1 online resource (xvi, 211 pages, 16 unnumbered pages of plates ) |
Series |
Global South Asia |
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Global South Asia.
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Contents |
Flickering light, fluttering textiles -- An interruption : Derridean temporality at the Festival -- Material transformations : clay, terracotta, trash -- Time, interrupted : people in the gallery -- Entrepreneurial exhibits -- The contemporary, at a distance -- Setting up the tent anew |
Summary |
From the fluttering fabric of a tent, to the blurred motion of the potters wheel, to the rhythm of a horse puppets wooden hoovesthese scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when Americas image of India was as a place of desperate poverty and spectacular fantasy. "Displaying Time" unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now |
Bibliography |
Includes bibliographical references (pages 185-204) and index |
Notes |
Description based on print version record and CIP data provided by publisher; resource not viewed |
Subject |
Festival of India in the United States (1985-1986)
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Festival of India in the United States. |
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Time and art.
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Art -- Exhibition techniques.
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ART -- Performance.
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ART -- Reference.
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ART -- History -- Contemporary (1945- )
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Art -- Exhibition techniques.
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Time and art.
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Form |
Electronic book
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LC no. |
2021692799 |
ISBN |
9780295999951 |
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0295999950 |
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