Description |
1 online resource (xiii, 153 pages) : illustrations (chiefly color) |
Series |
Victorian critical interventions |
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Victorian critical interventions.
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Contents |
Introduction. Alterity and the limits of realism -- Mysteries of Dickensian literacies -- Sawing hard stones : reading others in George Eliot's fiction -- Thomas Hardy's narrative control -- Learning to see : Whistler's visual aversions -- Conclusion. Hidden lives and unvisited tombs |
Summary |
"Looking closely at the work of Charles Dickens, George Eliot, Thomas Hardy, and James McNeill Whistler, Rebecca N. Mitchell reframes conventional considerations of Victorian empathy and argues that the recognition of alterity, and not identification, is the basis of the intersubjectivity depicted in realist texts and paintings. In the nineteenth century, encounters with the other are represented through the disconnection between subjects within the novel or painting's space; representation of that intersubjective inscrutability is elemental to the realist project." |
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"Victorian Lessons in Empathy and Difference amplifies the fundamental distinction between the characters within a text or image--who are intimately unknowable to each other--and the material texts and images--which are eminently knowable to the reader or viewer. To this end, Mitchell's exploration of alterity is grounded in the tradition of Emmanuel Levinas, whose work establishes a vocabulary for considering otherness outside of dialectical oppositions, binaries which so often define recent constructions of Victorian subjectivity. The study turns explicitly from the usual paradigms for encountering Victorian otherness--race, gender, colonized status, or class--to focus instead on the representations of difference where proximity typically precludes the recognition of alterity"--Publisher's description |
Bibliography |
Includes bibliographical references and index |
Notes |
Print version record |
Subject |
Dickens, Charles, 1812-1870 -- Criticism and interpretation
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Eliot, George, 1819-1880 -- Criticism and interpretation
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Hardy, Thomas, 1840-1928 -- Criticism and interpretation
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Whistler, James McNeill, 1834-1903 -- Criticism and interpretation
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SUBJECT |
Whistler, James McNeill, 1834-1903 -- Criticism and interpretation
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Hardy, Thomas, 1840-1928 -- Criticism and interpretation
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Eliot, George, 1819-1880 -- Criticism and interpretation
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Dickens, Charles, 1812-1870 -- Criticism and interpretation
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Dickens, Charles, 1812-1870. fast (OCoLC)fst00028294 |
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Eliot, George, 1819-1880. fast (OCoLC)fst00034497 |
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Hardy, Thomas, 1840-1928. fast (OCoLC)fst00034596 |
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Whistler, James McNeill, 1834-1903. fast (OCoLC)fst00032885 |
Subject |
Other (Philosophy) in literature.
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Other (Philosophy) in art.
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English literature -- 19th century -- History and criticism
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Art, English -- 19th century.
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Art, American -- 19th century
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Empathy in literature.
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Art, American.
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Art, English.
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Empathy in literature.
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English literature.
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Other (Philosophy) in art.
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Other (Philosophy) in literature.
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Genre/Form |
Criticism, interpretation, etc.
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Literary criticism.
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Literary criticism.
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Critiques littéraires.
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Form |
Electronic book
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ISBN |
9780814270608 |
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0814270603 |
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0814292615 |
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9780814292617 |
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