| Description |
1 online resource (xi, 346 pages) |
| Series |
Ideas, history, and modern China ; volume 17 |
|
Ideas, history, and modern China ; v. 17.
|
| Contents |
The preconception of the modernity of fictional form -- Fictional form and totality -- "Revolution plus love" and imagining women in the public sphere -- The eclipse trilogy: female bodies in a mirrored framework of time -- Zhang Qiuliu: the double displacement of city and revolution -- "Creation": the figure of the modern woman and revolutionary public space -- Rainbow: coming of age and the modern epic novel -- Breasts and the revolutionary utopian fantasy |
| Summary |
In Revolution and Form, Jianhua Chen offers a detailed analysis of several early works by Mao Dun, focusing in particular on their engagement with themes of modernity and revolution, gender and desire. One of the leading authors of the early twentieth century May Fourth period, Mao Dun had a complicated relationship with both the Communist Party and the women?s liberation movement, and his fictional works reflect these twin concerns with revolution and gender. Chen?s study examines Mao Dun?s early fiction in relationship to the biographical and historical conditions under which it was produced |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Mao, Dun, 1896-1981 -- Criticism and interpretation
|
| SUBJECT |
Mao, Dun, 1896-1981 fast |
| Subject |
LITERARY CRITICISM -- Asian -- General.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| Author |
Rojas, Carlos, 1970- translator.
|
| LC no. |
2018028956 |
| ISBN |
9789004364851 |
|
9004364854 |
|
