| Description |
1 online resource (313 p.) |
| Series |
Perspectives on Music Production Ser |
|
Perspectives on Music Production Ser
|
| Contents |
Intro -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Preface -- Reference -- Part One: Mastering: practice -- 1. The creative mastering studio -- Introduction -- The creative mastering studio -- Conclusion -- References -- 2. Surround + immersive mastering -- Introduction -- A brief history of surround and immersive audio -- Why immersive audio? -- Audio formats -- Carrier and distribution formats -- Digital audio workstations -- Room setup and calibration -- Mastering -- Mastering for discrete formats -- Mastering for object-based formats |
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Mastering for ambisonic formats -- Mastering for multiple formats -- Deliverables -- Deliverables for discrete formats -- Deliverables for object-based formats -- Deliverables for ambisonic formats -- Quality control and client approval -- Getting into immersive audio -- Final thoughts -- With gratitude -- References -- 3. Towards a definition of compression glue in mastering -- Introduction -- Background and related work -- Qualitative methods -- Defining gel/glue-initial stages -- Discourse analysis -- Reasons to use compression and compressor types -- Web scraping -- Delphi Method |
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Delphi survey stage one -- Delphi survey stage two -- Delphi survey stage three -- Delphi survey final definition -- Conclusion -- References -- 4. Engineering authenticity: The Aesthetics of DSP Modelling in Mastering Plugins -- Introduction -- Background -- Engineering authenticity: Waves Abbey Road TG Mastering Chain -- Engineering authenticity: technology determinism and human agency -- Conclusion -- References -- 5. Mastering for streaming: Exploring a new levelling standard -- Introduction -- Background -- Analysis and findings -- Analysis of streaming platforms -- Industry professionals |
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Relevance of the traditional and the new -- Creative practice -- Conclusions of practice and research -- Framework -- References -- Discography -- 6. Mastering audio analysis: Teaching the art of listening -- About the author -- Foreword -- Introduction -- In education -- Establishing listening principles -- Learning to level -- Audio referencing -- Listening for overview -- The problem with visuals -- Hearing transients -- Back to recording -- Loudness and Limiting -- Conclusion -- References -- Part Two: Mastering: music and people -- 7. Interview with Darcy Proper -- Introduction |
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Background and career -- Mastering approach -- Surround mastering -- Remastering -- Educating on audio mastering -- 8. 'Past' masters, present beats: Exponential sound staging as sample-based (re)mastering in contemporary hip hop practice -- Introduction -- Staging literature and hip hop sonics -- (Illustrating) Sample-staging in discography -- Width, height, and media-based staging -- Depth/proximity -- (Constructing) Sample-staging increative practice -- The autonomous sonic object -- The multitrack sonic object -- Exponential staging in sample-creating-based hip hop practice -- Conclusion |
| Notes |
Description based upon print version of record |
| Bibliography |
References |
| Form |
Electronic book
|
| Author |
Hepworth-Sawyer, Russ
|
|
Hodgson, Jay
|
|
Shelvock, Matthew
|
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Toulson, Rob
|
| ISBN |
9781000281422 |
|
1000281426 |
|
