| Description |
1 online resource (ix, 395 pages) |
| Contents |
The creation of Imperio Argentina as film star / Vicente J. Benet -- The musical representation of Latin America in Hollywood's first sound films (1927-1932) / Juan Carlos Poveda -- Intercambios musicales entre Argentina y México: el tango y el bolero como fuentes para la difusión de los cines nacionales / Silvana Flores -- O início do cinema sonoro no Brasil e os (en)cantos da língua / Carlos Roberto de Souza e Suzana Reck Miranda -- Seeing Mexican Music in ¡Así es mi tierra! / Carlos Belmonte -- From The Jazz Singer to La La Land and some others in between / Kathryn Kalinak -- Aportaciones musicales de Chucho Monge al nacionalismo mexicano (1934-2014) / Eduardo de la Vega Alfaro -- El folclor musical veracruzano en el cine mexicano de los años treinta / Rosario Vidal Bonifaz -- Music for fiction films during the Spanish Civil War (1936-1939): identity functions of the soundtrack / Lidia López Gómez -- Shaping the collective imaginary? Writing about cinema and music in the journal Ritmo during the first years of Francoism / Alberto Caparrós Álvarez -- Drag performance in recent Latin American documentary: uses of voice and musical flows / Agostina Invernizzi and Ezequiel Lozano -- Baroque, 1989: construction and recognition of the Latin American cultural identity in experimental and musical cinema / Fernando David Maldonado Parrales -- La redención como tópico en films sobre rap y break dance y su apropriación en Argentina: sentidos de una práctica e identidades culturales / Ana Sabrina Mora -- The soundtrack and construction of a Brazilian pathwork identity in the film Macunaíma / Edson Zampronha -- Cinema and Tango (1990-2010): representations, market and politics / Marisa Iris Alonso -- The musicality and theatrical referential of the Maias by Eça de Queiroz in the filmic narrative of João Botelho-Portuguese cultural identity / Filomena Antunes Sobral -- Under-use of Japanese music for Japanese characterization in Western cinema / Juan Urdániz Escolano -- Space configuration in Yasujiro Ozu's cinema: the off-screen and the non-seen in late spring, early summer and Tokyo story / Susana Palés -- Commemorative cinema in the USSR: shaping Soviet identity / Mikel Bueno Urritzelki and Elorri Arcocha Mendinueta |
| Summary |
The appearance of sound film boosted entertainment circuits around the world, drawing cultural cartographies that forged images of spaces, nations and regions. By the late 1920s and early '30s, film played a key role in the configuration of national and regional cultural identities in incipient mass markets. Over the course of the twentieth and early twenty-first centuries, this transmedia logic not only went unthreatened, but also intensified with the arrival of new media and the development of new technologies. In this respect, this book strikes a dialogue between analyses that reflect the .. |
| Bibliography |
Includes bibliographical references |
| Notes |
Print version record |
| Subject |
Motion pictures -- Social aspects -- South America -- History -- 20th century
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Motion pictures -- Social aspects -- History -- 20th century
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National characteristics in motion pictures.
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Motion pictures -- Social aspects
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National characteristics in motion pictures
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South America
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| Genre/Form |
History
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| Form |
Electronic book
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| Author |
Gil Mariño, Cecilia, editor.
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Miranda, Laura, editor.
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| ISBN |
9781527539853 |
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1527539857 |
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