Book Cover; Title; Contents; Acknowledgments; Introduction; Prologue: Making sense; Permanently moving: Ben Jonson and the design of a lasting performance; Predominantly still: John Milton and the sacred persuasions of performance; Theatrically pressed: Pamphletheatre and the performance of a nation; Decidedly moving: Aphra Behn and the staging of paradoxical pleasures; Perpetually stilled: Jeremy Collier and John Vanbrugh on bonds, women, and soliloquies; Epilogue: Making space; Notes; Bibliography; Index
Summary
P.A. Skantze argues that 17th century writers for performance portray a crucial aesthetic tension between motion and fixity, the study argues that this tension is fundamental to our scholarly understanding of performance and culture
Notes
Originally published 2003 by Routledge
Bibliography
Includes bibliographical references (pages 187-201) and index