| Description |
1 online resource (xv, 215 pages) |
| Series |
Routledge studies in Renaissance literature and culture ; 43 |
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Routledge studies in Renaissance literature and culture ; 43.
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| Contents |
1 Donne's Religion; Theology's Limitations; Believing Aright; The Household of the Faithful; Unaligned But Not Detached; The Preacher's Calling; 2 Divine Triplicity; Rehabilitating the Centre; Taking Hold of God; Written Evidence; Defining Doctrines; Strict Silence; 3 Blurred Boundaries; Persons Divine and Human; Councils Divine and Human; The Trinitarian Human; A Profusion of Trinities; 4 God as Father; First Person Narrative; Defining Relationships Double Paternity 5 God as Son; Double Sonship; Theory and Practice; Power and Prerogative; 6 God as Spirit; Missing Person; More Hawk Than Dove?; Trinitarian Coda: Down Close and Personal; 7 The God of God; Promise and Performance; Heaven's Open Door; Human Freedom and Divine Action; Donne's God |
| Summary |
His contemporaries recognised John Donne (1572-1631) as a completely new kind of poet. He was, wrote one enthusiast, 'Copernicus in Poetrie'. But in the winter of 1614-15 Donne abandoned part-time versification for full-time priestly ministry, quickly becoming one of the most popular preachers of his time. While his verse has never been short of modern admirers, his sermons have recently begun to receive their full share of serious attention. Yet there exists almost no theologically-informed criticism to assist readers with navigating, let alone appreciating, the intricacies of Donne's religious thinking. The need for such criticism is especially urgent since many readers approach his writing today with little previous knowledge of Christian doctrine or history. This book supplies that deficiency. Starting from the assumption that theology is inevitably the product of the human imagination, a perception that is traced back to major early Christian writers (and something that Donne implicitly acknowledged), it probes the complex amalgam that constituted his ever-shifting vision of the deity. It examines his theological choices and their impact on his preaching, analysing the latter with reference to its sometimes strained relationship with Christian orthodoxy and the implications of this for any attempt to determine how far Donne may legitimately be viewed as a mouthpiece for the Jacobean and Caroline Church of England. The book argues that the unconventionality that characterises his verse is also on display in his sermons. As a result it presents Donne as a far more creative and risk-taking religious thinker than has previously been recognised, especially by those determined to see him as a paragon of conventional Christian orthodoxy. $c --From publisher's description |
| Bibliography |
Includes bibliographical references (pages 197-206) and index |
| Notes |
Print version |
| Subject |
Donne, John, 1572-1631 -- Religion
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| SUBJECT |
Donne, John, 1572-1631 fast |
| Subject |
Christian poetry, English -- Early modern, 1500-1700 -- History and criticism
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Christianity and literature -- England -- History -- 17th century
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POETRY -- English, Irish, Scottish, Welsh.
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Christian poetry, English -- Early modern
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Christianity and literature
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Religion
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England
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| Genre/Form |
Criticism, interpretation, etc.
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History
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| Form |
Electronic book
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| ISBN |
9781351660686 |
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1351660683 |
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9781315159812 |
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1315159813 |
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9781351660693 |
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9781351660679 |
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1351660675 |
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1351660691 |
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