| Description |
1 online resource : text file, PDF |
| Series |
Routledge Revivals |
| Contents |
Cover; Half title; Title; Copyright; Contents; Notes on contributors; List of figures; Preface; Acknowledgement; Standard references; Introduction Father and son: the Ruskin family art collection; 1 'Candid and earnest': the rise of the art critic in the early nineteenth century; 2 The 'dark clue' and the Law of Help: Ruskin, Turner, and the Liber Studiorum; 3 Ruskin and the Gothic Revival: his research on Venetian architecture; 4 Ruskin and Millais at Glenfinlas; 5 Pre-Raphaelite intimacy: Ruskin and Rossetti; 6 The Light of the World as 'true sacred art': Ruskin and William Holman Hunt |
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7 'Archangel' Veronese: Ruskin as Protestant spectator8 'According to the requirements of his scholars': Ruskin, drawing and art education; 9 The 'woman question': Ruskin and the female artist; 10 Ruskin and the Pre-Raphaelite imagination in the 1870s: art, politics and the female body; 11 Painter and Professor: the response of Albert Goodwin to the aesthetics of John Ruskin; 12 The critic as autobiographer: Ruskin and his artists; References; Index |
| Summary |
"This was first published in 2000: A study of John Ruskin's engagement with art and architecture as a critic, a patron and a teacher. It offers insights into both his writings and the visual economy of the Victorian world. Each essay examines Ruskin's relationship with an individual artist or a distinct aspect of art practice. J.M.W. Turner, D.G. Rossetti, W. Holman Hunt and E. Burne-Jones are among those artists discussed whose personal relationships with Ruskin affected his critical writing. Ruskin's attitude to women artists and his approach to the teaching of art are given special attention."--Provided by publisher |
| Form |
Electronic book
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| ISBN |
9781315203546 |
|
1315203545 |
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