Machine derived contents note: Preface -- Calendar: Chief Items of Catholic Interest in Henry James -- Documentation -- Part I. Bibliographical Leads, Historical Considerations: Part II. Representing Catholicity: 1. The Protestant Base -- 2. Liberalism -- 3. The Picturesque -- 4. The question of religious audience -- 5. Sacred seculars: the tales -- 6. Sacred seculars: letters and notebooks -- 7. Death and literary form -- Part III. The Narratives of Catholic Conversion: 1. Watch and Ward (1871) -- 2. Italian Sketches and Italian Tales (1870-75) -- 3. Roderick Hudson (1875) -- 4. The American (1876-77) -- 5. Attenuations: The Reverberator (1888) -- 6. Supersubtlety one: What Maisie Knew (1897) -- Supersubtlety two: The Turn of the Screw (1898) -- Part IV. Pas de Quatre: 1. Catholicity Neat: 'Gabrielle de Bergerac' (1869) -- 2. Secularizing catholicity: The Altar of the Dead (1895) -- 3. Protestantizing catholicity: The Great Good Place (1900) -- 4. Satirizing secularity: The Birthplace (1903) -- Part V. The Catholic Menage as Literary Space: 1. De Grey: A Romance (1868) -- 2. Guy Domville (1895) -- 3. The Golden Bowl (1904) 4. The Crown of His Career -- Part VI. Prove That I'm Not! - Toward the Impossibility of Interpretation: Notes -- Index
Bibliography
Includes bibliographical references (pages 157-162) and index